Why Cant I Upload Video From Adobe Premiere Pro to Youtube

  1. Adobe Premiere Pro User Guide
  2. Beta releases
    1. Beta Program Overview
    2. Premiere Pro Beta Home
  3. Getting started
    1. Get started with Adobe Premiere Pro
    2. What'southward new in Premiere Pro
    3. Release Notes | Premiere Pro
    4. Keyboard shortcuts in Premiere Pro
    5. Accessibility in Premiere Pro
  4. Hardware and operating arrangement requirements
    1. Hardware recommendations
    2. System requirements
    3. GPU and GPU Driver requirements
    4. GPU Accelerated Rendering & Hardware Encoding/Decoding
  5. Creating projects
    1. Get-go a new project
    2. Creating projects
    3. Open up projects
    4. Motility and delete projects
    5. Work with multiple open projects
    6. Work with Project Shortcuts
    7. Backward compatibility of Premiere Pro projects
    8. Open and edit Premiere Rush projects in Premiere Pro
    9. All-time Practices: Create your own project templates
  6. Workspaces and workflows
    1. Workspaces
    2. FAQ | Import and export in Premiere Pro
    3. Working with Panels
    4. Windows affect and gesture controls
    5. Use Premiere Pro in a dual-monitor setup
  7. Capturing and importing
    1. Capturing
      1. Capturing and digitizing footage
      2. Capturing Hard disk drive, DV, or HDV video
      3. Batch capturing and recapturing
      4. Setting upward your system for Hard disk, DV, or HDV capture
    2. Importing
      1. Transferring and importing files
      2. Importing still images
      3. Importing digital audio
    3. Importing from Gorging or Terminal Cut
      1. Importing AAF project files from Avid Media Composer
      2. Importing XML projection files from Last Cut Pro 7 and Final Cut Pro Ten
    4. Supported file formats
    5. Digitizing analog video
    6. Working with timecode
  8. Editing
    1. Sequences
      1. Create and alter sequences
      2. Add clips to sequences
      3. Rearrange clips in a sequence
      4. Find, select, and group clips in a sequence
      5. Edit from sequences loaded into the Source Monitor
      6. Simplify sequences
      7. Rendering and previewing sequences
      8. Working with markers
      9. Scene edit detection
    2. Video
      1. Create and play clips
      2. Trimming clips
      3. Synchronizing sound and video with Merge Clips
      4. Render and replace media
      5. Undo, history, and events
      6. Freeze and hold frames
      7. Working with aspect ratios
    3. Sound
      1. Overview of sound in Premiere Pro
      2. Audio Rail Mixer
      3. Adjusting book levels
      4. Edit, repair, and improve audio using Essential Audio panel
      5. Automatically duck audio
      6. Remix sound
      7. Monitor clip volume and pan using Audio Clip Mixer
      8. Audio balancing and panning
      9. Avant-garde Audio - Submixes, downmixing, and routing
      10. Audio furnishings and transitions
      11. Working with audio transitions
      12. Apply effects to sound
      13. Measure audio using the Loudness Radar outcome
      14. Recording audio mixes
      15. Editing sound in the timeline
      16. Audio aqueduct mapping in Premiere Pro
      17. Use Adobe Stock audio in Premiere Pro
    4. Advanced editing
      1. Multi-camera editing workflow
      2. Editing workflows for characteristic films
      3. Set upward and use Head Mounted Display for immersive video in Premiere Pro
      4. Editing VR
    5. Best Practices
      1. Best Practices: Mix audio faster
      2. All-time Practices: Editing efficiently
  9. Video Effects and Transitions
    1. Overview of video effects and transitions
    2. Effects
      1. Types of effects in Premiere Pro
      2. Employ and remove effects
      3. Event presets
      4. Automatically reframe video for different social media channels
      5. Colour correction effects
      6. Modify duration and speed of clips
      7. Adjustment Layers
      8. Stabilize footage
    3. Transitions
      1. Applying transitions in Premiere Pro
      2. Modifying and customizing transitions
      3. Morph Cut
  10. Graphics, Titles, and Animation
    1. Graphics and titles
      1. Overview of the Essential Graphics panel
      2. Create a title
      3. Create a shape
      4. Check spelling and Find and Supervene upon
      5. Apply text gradients in Premiere Pro
      6. Add Responsive Design features to your graphics
      7. Use Motion Graphics templates for titles
      8. Supercede images or videos in Move Graphics templates
      9. Use data-driven Motion Graphics templates
      10. All-time Practices: Faster graphics workflows
      11. Working with captions
      12. Speech to Text
      13. Oral communication to Text in Premiere Pro | FAQ
      14. Upgrade Legacy titles to Source Graphics
    2. Animation and Keyframing
      1. Calculation, navigating, and setting keyframes
      2. Animating effects
      3. Employ Motion issue to edit and breathing clips
      4. Optimize keyframe automation
      5. Moving and copying keyframes
      6. Viewing and adjusting effects and keyframes
  11. Compositing
    1. Compositing, alpha channels, and adjusting prune opacity
    2. Masking and tracking
    3. Blending modes
  12. Color Correction and Grading
    1. Overview: Color workflows in Premiere Pro
    2. Auto Color
    3. Go creative with color using Lumetri looks
    4. Adjust colour using RGB and Hue Saturation Curves
    5. Correct and friction match colors betwixt shots
    6. Using HSL Secondary controls in the Lumetri Colour console
    7. Create vignettes
    8. Looks and LUTs
    9. Lumetri scopes
    10. Display Color Direction
    11. HDR for broadcasters
    12. Enable DirectX HDR support
  13. Exporting media
    1. Export video
    2. Consign Preset Manager
    3. Workflow and overview for exporting
    4. Quick export
    5. Exporting for the Web and mobile devices
    6. Export a still image
    7. Exporting projects for other applications
    8. Exporting OMF files for Pro Tools
    9. Export to Panasonic P2 format
    10. Best Practices: Export faster
  14. Collaboration: Frame.io, Productions, and Team Projects
    1. Collaboration in Premiere Pro
    2. Frame.io
      1. Install and activate Frame.io
      2. Apply Frame.io with Premiere Pro and Later Furnishings
      3. Frequently asked questions
    3. Productions
      1. Using Productions
      2. How clips piece of work across projects in a Production
      3. All-time Practices: Working with Productions
    4. Team Projects
      1. What's New in Team Projects
      2. Get started with Team Projects
      3. Create a Team Projection
      4. Add and manage media in Team Projects
      5. Interact with Team Projects
      6. Share and manage changes with Squad Projection collaborators
      7. Archive, restore, or delete Team Projects
  15. Working with other Adobe applications
    1. Afterward Furnishings and Photoshop
    2. Dynamic Link
    3. Audition
    4. Prelude
  16. Organizing and Managing Assets
    1. Working in the Project panel
    2. Organize assets in the Project console
    3. Playing avails
    4. Search assets
    5. Creative Cloud Libraries
    6. Sync Settings in Premiere Pro
    7. Consolidate, transcode, and archive projects
    8. Managing metadata
    9. All-time Practices
      1. Best Practices: Learning from broadcast production
      2. All-time Practices: Working with native formats
  17. Improving Performance and Troubleshooting
    1. Set preferences
    2. Reset preferences
    3. Working with Proxies
      1. Proxy overview
      2. Ingest and Proxy Workflow
    4. Check if your arrangement is compatible with Premiere Pro
    5. Premiere Pro for Apple silicon
    6. Eliminate flicker
    7. Interlacing and field gild
    8. Smart rendering
    9. Control surface back up
    10. All-time Practices: Working with native formats
    11. Knowledge Base
      1. Known bug
      2. Stock-still issues
      3. Green and pink video in Premiere Pro or Premiere Rush
      4. How do I manage the Media Cache in Premiere Pro?
      5. Fix errors when rendering or exporting
      6. Troubleshoot problems related to playback and operation in Premiere Pro
  18. Monitoring Assets and Offline Media
    1. Monitoring assets
      1. Using the Source Monitor and Programme Monitor
      2. Using the Reference Monitor
    2. Offline media
      1. Working with offline clips
      2. Creating clips for offline editing
      3. Relinking offline medInstia

Explore the unlike ways of importing assets into your projects, including transferring avails from file-based media and other computers.

Transfer files

When you transfer a file, Premiere Pro duplicates the source file and creates a re-create in a specified location.

Transfer projects from one computer to some other

To transfer projects from one calculator to another, do the following:

  1. Select File > Project Manager. The Project Director dialog appears.

    Project Manager

    Project Manager
  2. Nether Sequence, select the sequences you lot want to re-create.

  3. Under Resulting Project, cull one of the following:

    • Collect Files and Re-create to New Location: Creates a copy in the new location.
    • Consolidate and Transcode: Transcodes the source media using a unmarried codec, so they are all converted to the same format. Then copied everything to a new location.
  4. Nether Destination Path, click Scan to open the File Explore(Windows) or Finder(macOS). Choose a location.

  5. Under Options, select the options that you prefer.

  6. Click Calculateto summate the disk space that the copied file occupies.

  7. When yous have selected your preferences, click Run to create a re-create of the source file in a new location.

While transferring project files from one estimator to some other, keep the following things in mind:

  • Transfer all the avails associated with the project files.
  • Keep the project files and their associated assets, on the destination computer, in folders that have names and folder structures identical with files on the figurer of their origin.

It is possible to edit assets residing on file-based media, such as P2 cards, XDCAM cartridges, SxS cards, or DVDs. For best performance:

  1. Transfer files from their file-based media to a local hard disk drive.
  2. Using File Explorer (Windows) or Finder (macOS), transfer files from file-based acquisition media.
  3. Import the files on the difficult deejay into Premiere Pro projects.

While transferring assets from file-based media, proceed the following things in mind:

  • Transfer the folder containing all related files and its subfolders.
  • Keep the folder structure intact.

Transfer video files from file-based media into the aforementioned folder you specify for captured video with the project scratch disk settings.

Import files

Premiere Pro tin can import many video and audio formats if the codec used to generate a specific file is installed locally. Most of these software modules are installed automatically with Premiere Pro.

For a list of file formats supported for import in Premiere Pro, see Supported file formats.

The Import control brings files that are already on your hard disk, or other connected storage devices, into your project. Importing files makes them available to a Premiere Pro project. You can import a single file, multiple files, or an unabridged folder. You can also export a Premiere Pro projection from Afterwards Effects, and import information technology into Premiere Pro.

In Premiere Pro, yous tin import files past using the Media Browser or the Import command. To larn how to import media in Premiere Pro, watch this tutorial.

The Media Browser gives you quick access to all your avails while y'all edit making information technology piece of cake to scan to files. Dissimilar the Import dialog box, the Media Browser can be left open and docked, like any other panel.

Viewing fourth dimension: 2 minutes 9 seconds

To import media using the Media Browser, practise the following:

  1. Go to the Assembly workspace or select Window > Media Browser.

    The Media Browser panel opens. On the left, there is a list of folders. On the right, the contents are displayed. You lot tin toggle betwixt listing view and thumbnail view.

    Media Browser

    A. IngestB. Ingest settingsC. File types displayedD. Directory viewersDue east. List viewF. Thumbnail viewG. Zoom slider

  2. To browse files, do one of the post-obit:

    • To open up a folder recently opened, click the triangle in the Recent Directories carte du jour, and select the binder.
    • In the list of hard drives and folders in the Media Browser, click the triangles next to binder names to open up them.
  3. To view only files of sure types, click the Files types displayed icon, and select a file type. To select an actress type, open the menu again and make another choice. Repeat until all desired types take been selected.

  4. Select i or more files from the listing of files. To select more i non-contiguous file, Ctrl-click (Windows) or Command-click (macOS) the filenames. To select more than one contiguous file, Shift-click the filenames.

  5. To preview the clip in the Media Browser, move the cursor over the thumbnail.

    Alternatively, double click the prune to open up it in the Source Monitor. You tin also right-click the file in the Media Browser and select Open In Source Monitor.

  6. Do one of the post-obit:

    • Select File > Import From Media Browser
    • Correct-click the file in the Media Browser and select Import.
    • You can elevate the file from the Media Browser into the Project panel, or drag the file from the Media Browser into a Timeline.

    The Media Browser imports the file into the Project panel.

Edit While Ingest

The Premiere Pro Media Browser panel allows you to ingest media automatically in the background while you begin editing. To toggle the automatic ingest beliefs setting to on/off in the Media Browser, utilize the ingest check box. The settings icon side by side to information technology opens the Project Settings dialog, where you tin adjust the ingest settings.

A like ingest bank check box in the Project Settings dialog is kept in sync with the Media Browser panel'south setting. When toggled on, users can cull one of four following operations to kick off automatically when files get imported into the projection. You tin can keep to edit while the ingest process completes in the background.

Ingest Settings

Ingest Settings

Choose i of the post-obit ingest settings:

  • Copy - You can copy the media to a new location. Copying is typically used to transfer camera footage from removable media onto your local difficult drive. The Principal Destination choice available in the Settings transfer path is the same as the Primary Destination option available in Settings. After the media has finished copying, the clips in the project point to these copies of the files.
  • Transcode - Y'all can transcode the media to a new format in a new location. Transcoding tin exist used to transcode original camera footage to a specific format used within a post-product facility. The filename path is the same as the Primary Destination choice available in Settings, and the format specifies the chosen preset. After the media gets transcoded, the clips in the projection point to these transcoded copies of the files.
  • Create Proxies - You can use this option to create and attach proxies to the media. It creates lower-resolution clips for increased performance during editing, which can exist switched back to the original full resolution files for concluding output. The filename path where the proxies are generated is the aforementioned every bit the Proxy Destination pick available in the settings. This format specifies the chosen preset. Afterward the proxies go generated, they are automatically attached to the clips in the project.
  • Copy and Create Proxies - You tin can use this option to copy media and create proxies, every bit covered in the before steps.

All iv options come with a set of default presets, which have the file destinations set to 'Same as Project'. Alternatively, you tin also cull a custom destination or your Artistic Deject Files folder, which syncs the files automatically to the deject. Use Adobe Media Encoder to create your own 'Ingest' presets.

Import files with the Import commands

While you can import clips directly from file-based media continued to your computer, information technology is all-time to first transfer clips from these media to a hd. So, import them from the hard disk.

To import files with import commands, do the following:

  • Choose File > Import. You can select multiple files.
  • To import a recently imported file, choose File > Import Recent File > [filename]. (The filename doesn't announced if Premiere Pro preferences have been reset.)
  • To import a folder of files, choose File > Import. Locate and select the folder, and so click Import Folder. The binder, with its contents, is added equally a new bin in the Project console.
  • For instructions on importing a numbered still-image sequence as a clip, see Importing numbered even so-epitome sequences as one prune.

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Source: https://helpx.adobe.com/premiere-pro/using/transferring-importing-files.html

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